Grit And Valor 1949 certainly evokes the tactics of Into The Breach, with its stompy machinery and floating tile battlegrounds. But, despite all appearances, this one isn’t actually turn-based at all. A tiley, tiny real time strategy then? Aye, and one that’s actually pretty frantic as it happens. Missions are snappy, intense skirmishes. You’ll fight off waves while trying to protect your useless, freeloading command vehicle. This threat, combined with on-the-fly tactical consider-me-do's like utilising cover and keeping rock-paper-scissors matchups in your favour ends up spawning something quite distinct. Please, do stomp on, preferably with less hypens for all our sakes.

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"Do you fancy playing as a couple of skellies named 'The Boner Brothers' riding a bike and sidecar while chunky bastard-metal blasts out, also they’ve got a gun, also they can do tricks?" asked Motördoom, to which I became so instantly hyperactive I somehow worked out how to headbutt my own face. Of course I want to put a chainsaw on the front of my bike, Motördoom. Obviously I want a rougelike-able upgrade that perchance may set my demonic enemies on fire. Yes, I’d like to combine a sick manual with an action game killstreak for a very large combo, Motördoom. Is this what overly concerned parents thought PS1 games were actually like? If I got a disc with this demo on as a kid, I’d be significantly radder than I am today. Gnarly, even. Made of gnarls.

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Readers, something actually magical has happened! I’ve spent a non-zero amount of time this week compiling a wishlist for potential Stardew Valley-likes that also let me keep pets. I wasn’t sure what I wanted to play, but I knew I was burnt out on both stabbing and shooting, and wanted something light and colourful with a solid loop that I could veg out (pun intended) with at the end of the day. I even went to so far as to create a chap named Karrot King in Stardew before quitting in disgust because I couldn’t easily access carrot seeds.

I cannot in good conscious claim that I manifested such a videogame - that was the work of Skyreach Studio. However, this is the internet, so I will both take credit for it and offer you an exclusive discount on my course. While I’m waiting for your membership fee to arrive, I’ll be playing Critter Crops. It’s a witchy farming sim in which you grow odd pets and cast spells from flesh-bound grimoires. One of the verbs it offers on its Steam page is 'noodle'. Apologies to all the other games on my wishlist.

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Fish! Tea! Time! Space! An ‘immersive horror sim’! Stopping the sun from not burning anymore but also not getting burnt in the process! Locally Sourced Anthology I: A Space Atlas does not, somewhat disappointingly, offer the infinite possible game concepts that space allows for. It’s got eight though, which I must say is a good start. Eight experimental indies from different developers, each equally taking part in space as the last.

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Over the past few weeks, my review schedule has involved kicking dudes, shooting dudes, war, eldritch busses, and diseased rats. I did not know how utterly burnt out I was on violence and misery until I held one of pet simulation Bobo Bay’s sentient blob critters in my arms and lavished snacks upon it. When I close my eyes, I can still hear Conscript’s shells falling in the distance. But here and now, there are only Bobos, the races they take part in, and the idyllic bay in which they reside.

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A good immersive sim, by its very nature, offers myriad varied approaches to solving problems. And yet, I find myself wanting to get hyper-specific when writing about the action of Corpus Edax, because it has an incredibly gratifying metal pipe sound, whether you’re stealthy wrapping it around the back of a blissfully unaware fool’s noggin, or lobbing it directly at their knee caps. In fact - although the game does have a delightful array of classic verbs, along with a few surprises - many of them are simply conducive to a stirring round of fisticuffs, to write my most British sentence of the week.

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Take me back to the soft blue light, Conscript. It’s safe there, in the save room. No body-armoured heavies with trench raiding clubs. No tunnels choked with sickly, mushy-pea green gas. No rats feasting on my ankles, occasionally inflicting a disease that halves my health bar. “Christ, they’re sending runners now?” the rifleman asks as I hoof south from Fort Souville after a gruelling trench defence whittles down my resources to a busted fightin’ spade and a handful of pistol bullets.

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When Clickolding - a vaguely Inscryption-y sub-hour dread droplet - opens, you’re sitting on a bed across from a man wearing a mask that looks like someone gave up halfway through carving an Easter Island statue of Joe Camel, stuck a pair of googly eyes on it, then went to cry in the corner at what they’d created.

In your hand is a clicker counter. Moose-face stares. What do those eyes convey? Patience? Intent? Longing? If nothing else, they betray a deep certainty that whatever else happens, you’re going to click. If you stop clicking for a moment, a prompt appears in the corner telling you the controls. At least, I think it's a prompt, because it might actually be a threat.

Left click to click. He'd like you to click 10,000 times, please.

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We do love a good diegetic interface here at the treehouse, whether that’s the analogue radar twisties of HighFleet, or the myriad hefty flickables of PVKK (Planetenverteidigungskanonenkommandant. Duh.) The fifth mech jam is currently happening over at Itch.io, and the clear standout for me thus far is Armored Shell Nightjar. It’s a first person pilot-em-up that puts you in the cockpit of a grasshoppery rust-bucket carrying out a critical mission on an industrial desert planet. The more the intro text stresses the importance of this mission, the more guiltily useless I feel, because I cannot get this beautifully run-down mech to do anything of note, unless you count violently hopping into walls to be notable.

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New indie action JRPG Tako No Himitsu: Ocean of Secrets - customary disclaimer: "JRPG" is a contentious term which some feel fetishises Japan culture, while others define it more neutrally as a specific style of role-playing game - is set in a world shadowed by a long-ago war between Human and Octopus. This in itself would be borderline post-worthy, but it's also heavily inspired by Game Boy Advance RPGs such as Golden Sun, and features music created by Golden Sun composer Motoi Sakuraba alongside Terranigma composer Masanori Hikichi.

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A watched pot never boils, so they say - ‘they’ presumably all being dead now after having their minds physically melted after hearing the first kettle click in readiness while stubbornly staring in the opposite direction. Yes, yes, it’s a metaphor, but we don’t have time for all that. Your kingdom is under attack by goblins, and the only way to get your useless underlings to chop the wood, till the fields, and train the guards needed to defend it is to provide constant surveillance. The King Is Watching is a minimalist resource-chain-em-up and wave defense goblin-knocker with a brilliant twist. I'm now a little bit obsessed with it, I think, and what is RPS if not a vehicle for chronicling my many fleeting obsessions?

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That was…slightly cheeky of me. The Tomoe you play in parry-ful action adventure Bloodless is not the same Tomoe that was conspicuously absent from undeniable influence Sekiro. They might be based on the same historical figure, but that’s simply Sek-ulation. However! You can make your mind up yourself for zero money, since Bloodless has a free demo on Steam. Trazzer below.

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I gaze with alarm and approval upon the recent phenomenon of "dark strategy" or "horror strategy" games, a devilish parade of top-down drag-clickers, from The Fabulous Fear Machine to The Tribe Must Survive, that strive to find the fear in a genre that typically places you at a managerial remove. The best-known is probably Frostpunk, with its perpetual raging against the dying of the light, its ceaseless scrape for coal and wood as the temperature falls. Anoxia Station, announced this month, is similarly driven by the gathering of fossil fuels, and similarly shaped by questions of worker death and morale, but it takes you deep underground - into a sumptuous, brutal world of quartz crystals, salt caves, magma lakes, moonmilk rivers, swirling gases and, judging from the below trailer, enormous maggots and centipedes. Larva lakes, amirite.

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The Ukrainian city of Mariupol came under heavy bombardment during the opening months of Russia's invasion in 2022, a programme of artillery and air strikes that damaged or destroyed the majority of residential buildings and has killed or dispossessed thousands of people. It has now been occupied by Russia for almost two years, during which, as reported by the Associated Press, Russia has demolished, rebuilt and renamed much of the city, overwriting its Ukrainian heritage.

The Disco Elysium-inspired RPG Hollow Home is a memory of Mariupol from just before the war - not a 1:1 recreation, but a collection of details, colours, personalities and some familiar buildings, painstakingly amassed and offered up in the face of erasure. Speaking to me during a very brief demo at Digital Dragons in Poland this year, artist Anastasia Hlyniana called my attention to the plants jutting from old car tyres around the game's isometric map, which she says are a common sight in Mariupol.

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I don't plan on having kids, but in the event that I change my mind, commissioning a forest Witch to grow one from a mushroom seems a lot easier than the usual human procreative process, though possibly just as abundant in screaming. I've been playing the demo for "cute-creepy" RPG and life sim Mushroom Musume, in which you - an unnamed "Recluse" - cultivate and play as a series of mushroom daughters. My current mushroom daughter is called Alia. She's a Common Turquoise Truffle. She's got a small pig acquaintance, who so far hasn't tried to devour her, and a cute fuzzy hat, which she stole from outside a church - precise impact on character development still TBC.

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Time hopping in Berlin usually means queuing several hours for a club, only to magically find yourself either right back at the end of the line, or else waking up on the U-Bahn three days later with tinnitus and currywurst spilled down your Acronym jacket. Not so in cyberpunk tactics game All Walls Must Fall. Here time travel means dodging bullets, reversing flubbed hacking, and replaying that conversation you had with the bouncer that got you booted to the curb. “A bloody good time-troubling tactical shooter,” decreed Adam Smith (RPS in Peace) in his review. Well, now it’s a bloody free time-troubling tactical shooter. Take that, Monday!

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Dagon: by H. P. Lovecraft developers Bit Golem announced this week that they’ve raised 200,000 złoty (around $50,000) towards humanitarian aid charities aiding Ukranians, including the Polish Red Cross, Save the Children, and Voices Of Children. Dagon itself is a free game, but has several pieces of paid DLC, all of which are currently on sale.

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The tabletop equivalent of “buying books and reading them are two different hobbies” is surely the difference between buying sexy tabletop RPG manuals and actually dragging your mates on to Discord for a few hours to stumble your way through a module. It’s the dogeared Fighting Fantasy from a carboot sale kid in me, I think. Something about reading worldbuilding snippets organised into numbered tables just hits in a way a novel doesn’t. Such tantalising ephemera is the name of the game in Microprose-published CrossOver: Roll For Initiative. It’s a wave defense where you play match-3 to collect dice, then spend them on fireballs and mace swings to stop tiny bastards from marauding all over your actual character sheet and attacking your stats.

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The Fear & Hunger games are pitch-black horror RPGs quite unlike anything else I’ve ever played, taking aspects of JRPG, survival horror and adventure games and distilling them into something I’d be tempted to call bleakly nihilistic if they didn’t display so much evident love for their craft. They also both start with a content warning listing “extreme violence, gore, sexual violence, and drug usage”. You’ll want to take this seriously, and just to be clear: the third item on this list does manifest in some tasteless, albeit brief, ways in the first game. It’s a frustrating blemish on what is otherwise an incredibly evocative and creative series, though you can download a mod to censor the more egregious bits. You will miss the full effect of critically severing an ogre’s massive schlong, however.

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When the ageing, silent character you play in puzzle adventure Selfloss performs a roll, it is a tumble of such poignant melancholy I spent the first five minutes of my time with its Steam demo just keeling about in the starting area. It’s a ponderous, pained roll, creaky and ancient. If it has i-frames, the ‘i’ stands for “I would like to not do that again for at least five minutes, please.” Each time you roll, or sprint, your character wipes beads of sweat from his brow, and you can tell the exertion is genuinely taxing. My man is exhausted. Also, surrounded by fish, both symbolic and literal.

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Fallen Aces is a stylish FPS lead pipe ‘em up with immersive sim elements, published by good gun-knowers New Blood Interactive. Your gumshoe ‘tagonist wakes up, hungover of brain, skint of wallet, and unshaven of face, to discover your apartment - undoubtedly reeking of smokerettes and dehydration wee - is being broken into by foes goonly and mookish. They take a while to boot the door down, which gives you a moment to observe the place and consider which of Fallen Aces' expansive makeshift weapon selection you'd like to batter them with. Decisions, decisions...

After eating some fridge fruit, I prepare an ambush by flicking off the lightswitch, then hide behind a desk. When they break in, I bravely sneak up behind them and put the frying pan I picked up to work. The sound effects tell me this a quality bit of cookware. Probably cast iron. Barely a dent. In the pan.

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Sometimes I have proper critical thoughts about games and sometimes I am Marge Simpson giving her opinion on a potato. Take LXD Red Honey, a free 2D metroidvania created in just 18 days for the Metroidvania Month 24 jam by sarn and OvergrownRobot, with playtesting by Oroshibu. I just think it's neat. So neat.

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What to compare Nine Sols’ flowing Sekiro-like 2D combat and layered metroidvania exploration to? The eternally sequel-less Hollow Knight? The punishing roguelite trappings of Dead Cells? 2D Souls-nuzzling Salt and Sacrifice? I wouldn’t know, because I’ve always had such trouble with slashing, blocking, and jumping in two dimensions that not only have I barely played any of the above, I’ve missed out a swathe of important platformers in the belief I just didn’t have it in me to manage them. But Nine Sols is so generous, so creative, so lucid and upfront in its ruleset, even as it crushes you with sometimes absurd difficulty, that playing it has opened up an entire library of classics I might have otherwise missed out on. I don’t have the experience to tell you what this game does better than others of its ilk, but I can tell how it made me feel. And for a game that murdered me with such relentless frequency, Nine Sols made me feel invincible.

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The Remake Of The End Of The Greatest RPG Of All Time, or TROTEOTGRPGOAT for, uh, short, is a game that exists. I normally wouldn’t let such an opaque stub of a description survive outside of a quick Trello reminder to write something better later, but I’m currently finding it fulfilling enough just to gaze upon that title and consider the fully formed art object that may soon emerge from its tantalising promises. Ok, so the visual component helps too. Orientate yourself by means of the trailer below, and let’s dig into this brazen nose-hooker of a head turner of a game that does exist, about another game that doesn’t.

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“When I was young,” the villager washing garments in the river says, “I thought it was enough to clean the dirty laundry once and be calm. Not that it will get dirty forever.” I’m not sure I’ve ever felt the crushing weight of universal entropic decay so keenly as in that RPG maker textbox, nested upon Felvidek’s nicotine-stain hues. I’ll need to clean my keyboard soon. I keep taking screenshots of Felvidek. I can’t take enough. I want to make a scrapbook of every character and every line. Neither my laundry nor keyboard will ever be clean forever either, but if I hate Felvidek for emphasising that, I love it for reminding me that all the best art is buttressed by an irremovable layer of deep, thick grime.

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AI nowadays is big business and it's pretty terrifying, honestly. FACEMINER captures both of these things well, as it sees you build a biometric data processing empire from scratch. And most scary of all, is you'll relish upscaling your organisation as you mine mugshots. I mean, I went from, "Hmmm, this is dubious", to a sicko excited by the fact I didn't have to click much to harvest strangers' portraits. Nic wrote about it a while back, but I'd like to draw attention to it again as it's very good.

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The playable area in Caravan SandWitch’s Steam Next Fest demo isn’t all that big, but within seconds you’re plonked at the rusty wheel of an offroading motorhome and let loose to roam it. It’s a figurative "Go nuts," and given how much more this narrative-heavy, third-person exploration yarn seemingly has to give, it's an attitude I’m seriously hoping holds firm throughout the full game.

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Door-and-peace-minus-the-peace FPS Anger Foot, the best game ever made, has finally got a release date: July 11th 2024. This is spectacular news, mainly because I’d already printed off a load of shirts that said ‘Anger Foot GOTY 2024.’ I was going to do some socks, too, but I do not trust this game anywhere near footwear.

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This year’s Day Of The Devs boasted an entire seven exclusives, plus a load of other nifty features and previews for exciting indies we already knew about, but are no less excited to be reminded of. It’s been over ten years now since Tim Schafer and the folks at Double Fine kicked off the non-profit initiative to help shine a spotlight on games what they thought were nice. No way! I love games what I think are nice! Here’s everything from Day Of The Devs 2024, dutifully arranged for your clicking pleasure.

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Are Tamagotchis a thing now again? I’m getting a sense they might be, but I’ll always associate them with the nineties. Ah, to return to a simpler time, where kids tripped each other up in the school hallways to steal toys , before Pokémon cards came along and everyone leveled up to stabbings. Sorry, Petal Runner devs, for opening a news article about your lovely wholesome game talking about stabbings. This gorgeous, fuschia-splashed, slice-of-life RPG is, if anything, the antidote to stabbings. In terms of game fatigue, anyway. It won’t cure tetanus, at least I don’t think so.

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In my eternal quest to describe games concisely enough that you don’t feel robbed of time you could have just watched a trailer with, I am compelled to use many of the same words and word combinations ad nauseam. So, when a game like horror tower defence Bella Wants Blood comes along and uses some odd nouns, I get all excited. Here, that’s because I get to recklessly spaff out terms like ‘Blood Gutters’, ‘The Rattler’, and your friend and mine, ‘The Stabber’. Barely an atom quivers in Bella Wants Blood that hasn’t been stylised or made odd and alluring in some way.

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Back in 2020, fresh out of high school and feeling unstoppable, Charles Maddock and a few friends “decided to code a game about Fish Wizards.” The result was Fishards, Magicka-inspired PVP arena action that has you out-squirt, out-splash, and out-spellcast your mates. It’s a charmer, but after two years of dev, release saw it suffer the same sad fate as many multiplayer-only indies. People would play for half hour, says Maddock, then refund the game because they couldn’t find others to play with.

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I’ve been scouring Steam Next Fest demos specifically for something laid back, and Spilled! – despite sounding like the title of a musical about upturned milk – has delivered nicely. It’s a light and breezy ocean cleanup game that has you sailing a cute lil’ boat around polluted seas, cleansing oil patches and scooping up plastic bottles. Even if it doesn’t have the every-last-speck detailing of PowerWash Simulator or Viscera Cleanup Detail, it satisfies in very similar ways, and I would very much like to get back out on the water whenever the full game is complete.

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You like F.E.A.R.? You like DOOM? Yeah, I bet you like FPSing where you're outsmarting soldiers in offices with a nailgun and gibbing demons like you're ploughing a Hummer through a sequence of pheasants in an alternate universe Evil Somerset. No, it doesn't boast a title in all-caps, but Selaco's early access release more than deserves it's spot as a must-play for those who desire some sophistication with their ultra-violence.

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I usually avoid writing sentences that could easily be quoted on a Steam page, but the exquisitely satisfying sound that Grunn’s garden shears make is the exception. Please feel free to try any of these on for size: Grunn’s shear sound is the Wilhelm Scream of gardening equipment, sure to be referenced for decades to come. Grunn’s shear sound wormed its way past my eyes and into parts of my brain I’d previously assumed could only be accessed by either masterful ASMR or irresponsibly long Q-tips. I used to have anxiety, but now, my only fear in life is that Grunn’s grass will run out, so I no longer have a reason to click away with its shears. Play Grunn, innit. There are, by the way, lots of other things to like about it, although I cannot hear them over the wonderful sound of these shears.

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We’ll never know exactly what sort of fiction Tom Clancy would have written if he was less interested in the calibre of specific bullets and their effiency at dismantling burgeoning socialist governments, and more so in the specific sigils required to blast a riot cop through a third story window. While charity shops across the land mourn this devasting loss to their paperback shelves to this very day, we do at least have a glimpse into what such a literary venture may have looked like. Oh, did you like that door? Was it your favourite door? Soz, pal. Strategy game Tactical Breach Wizards just hexed right through it with a new demo as part of Steam Next Fest. I’ve played it, and it’s very exciting stuff, not least for how differently it plays than what I’d expected.

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Between this, my supporter post later, and the fact I decided to watch Office Space again this week, I’d like to make it clear to any colleagues or management reading that I value and love them all dearly, and am 110% committed to the eternal grind machine of covering videogames online. Workday malaise is universal, however, whether or not you’re lucky enough to enjoy your job as much as I do. Enter Office Fight, a stylish physics action game where you, a ghost, posess office equipment to cause as much physics-based chaos as possible. The PR did some Office Space jokes in the email, so I pretty much had to cover it. At least once I realised what they were doing, after initially just thinking they were being a massive donkey.

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I cannot compare my experience of writing a review for The Splintered Sea, the first paid expansion for dastardly clever physics puzzle builder Besiege, to that of a journaling sailor facing lethal storms on the horizon. Still, if we take for granted the idea that a review is only really valuable as an insight into the experience of the player: I haven’t been feeling especially great this week. That in mind: Splintered Sea is more Besiege, thoughtfully applied to its already expansive toolkit. More importantly, it's currently bringing me deep and deeply needed moments of untainted, childlike, vaguely-Orkish joy.

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Skulls! You’ve got one. I’ve got one. Everybody has a lovely skull keeping their lovely face right where it should be. Warhammer is big, so it needs must have multiple of them, hence their yearly event Skulls, which collates a bunch of Games Workshop related announcements into a sort of bizzaro world Nintendo Direct if Yoshi was actually a parasitic corpse emperor. There’s usually at least a few game announcements in there, and this year was a bumper. The headline announcement being an upcoming sequel to well-loved space-pope turn-based strategy Warhammer 40,000: Mechanicus. Yes, yes. I’m getting to the dog.

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Hauntii sets the scene with a rather magical opening sequence. A beam of light shoots out of a mysterious planet and a zoom in reveals the beam to be an asteroid, but not just any asteroid: a crystal shaped like a teardrop, with a little ghost nestled inside. You awaken as this little ghost, who it turns out, has crash landed in Eternity (and who, it turns out, is called Hauntii). Soon you bump into a ghostly girl, who guides you to a tower that thrusts you both up to a higher plane - but though she ascends, you're dragged back to the bottom at the last moment by some netherworldly chains. And so, as Hauntii you travel through Eternity to discover who that girl was and, ultimately, how to ascend to those heavenly skies yourself.

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The music in haunting 2D adventure Norco was so good it’s one of the few soundtracks I’ve actually bought on Steam, so I’m deeply intrigued to learn that developer Geography of Robots are putting music - and dancing - front and center in the new demo for their next project, Silenus. You can bop your way between screens, reader!

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To borrow a tired Xitterism: The Venn diagram between ‘games that have reference points outside of other games’ and ‘games I’m likely to get excited about’ is a circle. For the benefit of people who’ve discovered the one weird trick that therapists hate and improved their mental health tenfold by deleting the bad place, here’s an incredibly cool thread I stumbled upon this morning where indie developers share non-game influences on their projects.

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Wacky space station management sim Startopia and wacky hosptial sim Theme Hospital are two of my favourite older games, so I was very pleased with the concept of Galacticare, which is a wacky space station hospital management sim. And you know what? It's great! From early reveals and previews I thought it might veer into being too wacky, but it nails its tone, has some really striking levels, and bugs in earlier builds have been squashed (much as you can manually splat small parasites that make their way into your hospital). I can see this becoming a go-to comfort game for me.

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Seablip is a pixel art pirate 'em up, which promises an open world to sail around, islands to visit, crews to hire, bounties to hunt, and minigames through which to uncover treasure and fish. It looks adorable and it's out in Early Access now.

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“In one of Nero’s many manifests,” reads a books in surreal puzzle-box Lorelei And The Laser Eyes, referring to its eccentric (read: tastefully deranged) antag-artist, “there is a satirical proposal claiming that only dictators should be allowed to direct films.” Developers Simogo - of well-deserved Sayonara Wild Hearts and Device 6 acclaim - seem to agree that’s a position worth satirising. Lorelei, despite its single-solution puzzles, is not dictatorial. It’s far too interested in collaborating with you for that. It wants you to observe, consider, and interpret its many mysteries. What’s really hooked me here is how those puzzles are kept coherent and logical, despite you getting delivered a letter by dog and occasionally visiting a floppy disk bizzaro world where you converse with a magician who manifests from his own discarded hat.

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Graham said he wanted someone to write about Little Kitty, Big City, asked if I liked cats, at which point my soul was possessed by some kind of deep animus. "I really like cats, I just hate the internet UWU nonsense about cats," I said. "God it's awful, I can't stand it, Jesus Christ it's just an empty and terrible way to talk about cats, cats don't deserve to be the internet animal-" at which point Graham managed to interrupt and said I was exactly the person who should write about Little Kitty, Big City.

I promise, I approached Little Kitty, Big City with an open heart, because I do really like cats. But given my aversion to their babification by the internet, it may be surprising that my chief complaint about Little Kitty, Big City is that the hats in it are largely not cute enough. This is a bold claim, because there are more than 40 to collect.

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Old-school FPS adventure The Explorator contains much more intense shooty violence than the adorable lizardy folk that populate it might immediately suggest. I really want to use the word ‘zany’ without irony here to describe its hand-drawn 2D style and animations, but I’m afraid that ship has long since sailed into the sun. I’ll go with ‘caffeinated’ I think. Like the Adult Swim cartoons it reminded me of, it’s got a sense of the sardonic and a penchant for violence, but still comes from a place of having recently devoured several bowls of suspiciously colorful cereal. Anyways, forget all that. I mentioned an FPS in the title, so I must assume you’re here for the violence.

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My evolving relationship with Vampire Therapist continues apace - much how protagonist Sam's acumen as an unlicensed therapist for the unsettled undead develops at speed. He's a vampire doing therapy for other vampires, while also undergoing therapy, as a vampire, from another therapist (who is a vampire). Vampire Therapist! I've been able to get to grips with a playable preview - I'd say I got my teeth into it, but I'm not that much of a hack fraud - which means I got to see some of the things that creative director Cyrus Nemati told me about in our interview in action. I remain optimistic that, on it's release on June 18th, Vampire Therapist can walk the tricky line it's drawn for itself.

It's balancing on a knife point of humour, the supernatural, and sincerity about mental health, the latter using real cognitive behavioural therapy (CBT; the comments the first time I wrote about Vampire Therapist revealed a lot about our readership) concepts in consultation with licensed therapists. The preview only covered Sam's first meeting with his mentor, Andromachos, and the first client Sam treats himself - a doctor called Drayne, simultaneously self-loathing and self-aggrandising - but it gave a flavour of how the game plays. Rather than a sort of janky template on how to self-therapise, as I'd feared, when you're playing Vampire Therapist it operates more as a sort of language puzzle against different types of theatre kids.

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I’d like to start this review with a question: What’s the difference between overcoming a challenge and thinking “I did it!” and one that leaves you sighing “It’s over!”? I may leave little insights scattered throughout. A Paper Trail, if you will. A puzzle game named Paper Trail that has you solve discrete head-scratchers by folding the screen like a piece of paper in different ways to create new paths, I might even say, if I were trying to cram a bunch of information right at the top without breaking theme. Let’s talk about it.

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The only thing I’ve stuck to regularly over the last twelve years is breathing, and I often forget to do even that. So it’s with all the awe and appreciation in the world that I dove into the demo for retro RPG Whispers In The Moss. It's been in development for twelve years, from solo dev Uncultured Games. It's set in a vaguely ancient Rome-inspired fantasy world brought to life through intricate and inventive ASCII, and scored with homages to the classics. Ah, but how does it play? You exclaim with evident interest, I assume.

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Mullets aren't just coming back into fashion, they're everywhere at the moment, adopted largely by lads who love draft beer and The Football. And seemingly by Mullet Mad Jack, the protagonist of a single-player roguelike FPS who would shove draft beers into the skull of a billionaire robot, then shoot him in the gonads. What I'm trying to say is, Mullet Mad Jack is fashionable and no-nonsense, which makes for a great hang if you'd like to burn some aggression once in a while.

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ROBOBEAT is the third one of these new-fangled rhythm FPS games I’ve played - after BPM: Bullets Per Minute and Metal: Hellsinger - and the first one I’ve actually clicked with. The concept evidently appeals to me enough to try out those other two, but I guess that I’m simply too much of a rebel-maverick-disruptor to play to the stiflingly enforced rhythms of somebody else’s drum. Something about ROBOBEAT’s roguelike shooting feels different though.

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There aren't many ways left to put a twist on Stardew Valley, but suffixing it with "in space!" oughta do it. Little-Known Galaxy is out in a week, and currently has a demo on Steam, where you can sample many of the delights that you're used to from a Stardewlike when you're new in town: meeting the locals, growing potatoes, and tidying up the place. Also, raising alien pets, seeking out new life, and new civilisations... It all takes place on a spaceship, you see, and this has some ramifications to playing the game beyond reskinning everything to be shiny metal instead of picturesque mud. It's an intriguing proposition.

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Instruments Of Destruction goes to the trouble of having a voiceover offer a preamble to each of its missions, but I don't need it. Its launch trailer knows I don't need it, as its own voiceover makes clear: "Take this vehicle, destroy those buildings. Do I really need to explain why?"

Nope! You don't. And the smashing simulator's 1.0 release is out now.

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Open world fantasy RPG Runes emits a deeply powerful aura. I can tell it’s deeply powerful because MSI Afterburner’s fan control immediately went mental after I loaded up its free Steam combat demo. What do you mean ‘unoptimised’? That alarming sound is simply my computer shaking with awe at the fearless flippancy required to leave enemies fully untextured so they resemble Metal Gear Solid’s cyborg ninja. The promise of an indie fantasy RPG drew me in, but I must admit, I almost didn’t bother writing about this upon learning the demo is just a pre-Kickstarter combat slice. But something about it entrances me. What it lacks in textures, it makes up for in sheer moxy. You can’t optimise moxy! You can either make MSI shudder in terror or you can’t.

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How to best describe strategy game Be the Ruler: Britannia when its alchemic reduction of traditionally full-on genres is what drew me to its free Steam prologue in the first place? A less demanding Manor Lords? A more casual Crusader Kings III? Total War with training wheels? It’s got shades of all these games, but thrown together with a wonderfully vibrant wood craft art style. It ends up as something I feel is going to be a lot more approachable for players who like the idea of massive medieval simulations but don’t care to spend time reading a Magna Carta-fat wiki to learn exactly what pop growth percentage is. I know what it is, and most days I wish I’d saved that brain space to e.g learn how to keep house plants alive instead.

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Tangle Tower was a weird and cute point and click murder mystery set in a big weird tower full of colourful characters, so what better way for the devs to fill time before the sequel comes out than by making a creepy retro survival horror set in a regional theme park? Crow Country is like if Resident Evil was made out of Duplo: more chunky, less threatening, and easier than playing with a fully motorised K'Nex ferris wheel, but darn it, it's still a good time.

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Brain ostensibly useful. But sometimes, brain not good, and brain want activity where not required. Therefore: Frogs. Fortunately, frogs both bound and abound in Croakoloco, an idle management game where you make the mossy climb from singular frog ownership to a sprawling empire of hopping green slime nuggets. As I type, they hop freely in a minimised window, earning me the passive income promised by unscrupulous internet gurus who each possessed not a jot of the charisma and sheer radiant power emitted by a single resident of my frog kingdom.

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Heading Out is a driving game not about finishing first or delivering freight. Instead, you're on a road trip across America's highways in which your collisions, detours, and police chases shape your story and the characters you meet along the road. It's out now.

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I'm not sure how to classify Leila, a hand drawn, sort of point and click, sort of puzzle adventure out this summer. I'd say it's maybe a Gorogoa-like, but the demo is also a series of little vignettes that sort of reminded me of Edith Finch, but way less in depth. It's about a middle aged woman navigating her past and present by taking a closer at her mind, which means sorting through a load of magical realist meldings of memories. It's very pretty, and I liked the demo a lot.

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I'm not sure how I, a committed Getting Over It With Bennett Foddy fan, managed to miss A Difficult Game About Climbing. It is, like its obvious inspiration, a difficult game about climbing, but here you're using your arms independently to grip and hoist yourself rather than hooking and swinging a pickaxe. It is, also like its obvious inspiration, frustrating and moreish, like a scab you keep picking at.

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I once went back to a gathering after a friend-of-a-friend’s metal gig that I distinctly remember not because of either the party or the show, but because we drunkenly went to a big Tesco afterwards to get snacks. I also distinctly remember making a not-completely serious but also somewhat true statement at the party about how that Tesco trip was the most fun I’d had in months, after which one of the metal men sneered at me. I felt self conscious at the time, but I’ve since grown comfortable enough with myself to realise that the metal man was a joyless fool, and going to big supermarkets is at least as fun as going to average metal gigs. There is nothing a drop D power chord can evoke in me that compares to the feeling of blurrily espying a chocolate trifle in the reduced to clear section. So I wish to bring your attention to Supermarket Times.

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The debate on whether sticking the word ‘space’ in front of something instantly makes it better rages eternal with the heat of a thousand space-air fryers, but the yaysayers are at least victorious in the case of retro-futuristic RPG Beyond Galaxyland, in which turn-based combat is aided by your pal Boom Boom, who is a space guinea pig with a gun and a little waistcoat. I like this creature , but honestly, you could replace them with a sentient bin bag, and I’d be happy. With pixel art this vibrant and detailed, I reckon even a bulging sack of coffee ground and banana peels would be worth adventuring with. Don’t do it, though. It’s a good guinea pig.

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Every day, I wake up, and write about videogames, so it’s a strange feeling to realise I won’t be able to do that anymore, because videogames have been completed. Won. Done. Wonso. Doneso. Promise Mascot Agency is "the world's first (and best) open world mascot management crime drama." It's from Paradise Killer studio Kaizen Game Works Limited. You recruit Yokai-lookin' mascots. Yakuza are in it. You can upgrade your battered truck. You can play a tactical card game to help your mascots. Ikumi Nakamura, of Evil Within and Ghostwire: Tokyo art-fame worked on it. Quick! Someone arrest these reprobates for voter fraud, because no one game should tick this many boxes.

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Mayors in RPG games are rarely given the spotlight. They're mostly just there to give you an early quest involving goat banditry or windmill rats or some such other domestic drudgery. Or, in the case of Tristram’s mayor in Diablo, to fret behind the scenes about how to properly fit considerable cathedral repairs into this month’s budget. Well, no more must this valuable civil servant hide behind balance sheets, occasionally popping out to cut a big ribbon in celebration of a nearby mausoleum being turned into a Wetherspoons. Tristam is a 72 hour Ludum Dare project where you play as said town’s mayor. And this time: It’s ceremonial!

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Pine: A Story Of Loss, which stars a bereaved woodworker and thus may be a play on the double meaning of ‘pine’, is a gorgeously animated interactive fiction game that sees you performing farming chores and wordlessly reminiscing upon cherished memories. It’s short - designed to be played in a couple of sittings - and while the fiction is the focus here, you’ll spend time gardening and whittling in bespoke minigames as you find out more about the woodworker’s relationship. The publisher describes it thusly:

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The closest I have come to having any interest in sport is when I got really into reading about football hooligans, or like, Blood Bowl, but I do absolutely recognise the romance of it all. SUDDEN DEATH is a delicious free slice of playable art-pie that celebrates that romance. It is - says dev Cécile, who co-made the project with Nat Pussy and MOTHER GOOSE for collective Domino Club - “a game about love and sports. it's gay, it's very australian, and it's great.” You can tell it’s Australian quickly, because people call chips ‘chippies’, which makes me chuffed.

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My experience with actual flight simulators typically amounts to approaching the runway far, far too quickly at far, far too perpendicular an angle, so perhaps I’m better off just flying folded-up bits of A4. Happily, that’s exactly what Paper Sky, a "semi-open world paper plane adventure" from solo indie dev Brute Force, is offering.

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When, in town building simulation Manor Lords, you erect your first manor, it feels natural to place it in the center of your humble 14th century European settlement. It presents as a locus of power, where your character avatar resides. Also, it’s right there in the title. I built mine down a side road, between oxen posts and granaries, for no real reason but free space. The more I play, the more it feels a fitting place. Not sidelined, exactly, just not especially loud. I need the taxes it brings to pay mercenaries to see off bandits, but lords - their whims and ambitions - don’t set the tone here. Parchment and seals aren’t as important as tilled earth; as winter snow, spring thaws and autumn harvests. So, despite the title, this sedate, curious, and intricate sim isn’t really about lords, nor manors. Not half as much, anyway, as it is about manure.

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I'm the kind of awful person who looks at the background actors in TV shows and wonders what life is like for e.g. the old woman who sells birdfeed in Trafalgar Square in Mary Poppins when said upper-middle class domestic isn't singing about her. What fate the Warcraft grunt when he is too old to work work? It's probably pretty bad, right? Now let me slop Innkeep down in front of you like a big bowl of rat stew. Developer Daniel Burke furnished me with a little playable slice, and boy, Innkeep is a grim old time. I mean that as a compliment.

In it you run a big pub with room for a lot of grizzled adventurers, in a dog-eat-dog dark fantasy RPG sort of a world - think a roadside pub in one of the early seasons of Game Of Thrones, before everyone hated it. You do a lot of plate-spinning drudgery like cooking, cleaning, and serving, but also eavesdropping, rumourmongering, and knowing when to slip in a ribald joke as a distraction while you size up a mercenary's sword.

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Sometimes, I hear critics describe something as ‘actively hostile’ to the act of playing it, but with something close to admiration in their voices. I've always felt that I, too, would like to one day find an artwork that I could describe in the same way. Partly because it sounds like an interesting experience, but mainly so I could steal that line and feel like one of those elite, urbanely perceptive, multiple trouser-owning critics.

Well, today is not that day, because indie horror IRIS isn't, in fact, actively hostile towards the act of playing it. It's more a case of passive disdain. Is it a ‘good’ game? Probably not. Ah, but is it enjoyable? Buddy, not even slightly. But it is intriguing. I am intrigued, reader.

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I often regret that I didn't get into football as a kid (note for people across the pond: football is what we call soccer in these here accursed, eternally post-imperial isles). The trouble was, all my friends liked football and I have an abiding hatred of popular things, a hatred that has obviously served me well during my later career as an online news journalist. I played hockey instead, which is the superior sport in that you get a big nasty stick, but also relatively niche because you need more equipment.

Still, I've enjoyed rediscovering football in videogames, and especially videogames that don't treat football with much respect. You may have played or at least heard of Behold The Kickmen - now, here's free downloadable Itch.io offering Cereballers to stick the boot in.

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At the end of last year I played the demo for An English Haunting and got very excited. I like horror that has a generally spooky, creeping dread vibe rather than being wall-to-wall cheap jumpscares and gore, and that sort of stuff is thin on the ground. But it'll be less so from May the 15th, cos that's when this ghosty point and click puzzle adventure is out! Hooray! The demo is still on Steam if you want a taste before then. In the meantime, the release date announcement comes with a new trailer to enjoy.

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Rising Up is a free, sub-fifteen minute browser game that’s a bit like Streets of Rage, where you play a balding office worker and beat a giant scanner to death within the first 30 seconds. This, I believe, should be enough to tempt you into dunking it enthusiastically into your next break coffee, but if you need more convincing, let’s do it.

Created by E.H Jørgensen, whose credits include Homeworld: Deserts of Kharak, Rising Up is a relatively simple 3 button side scroller that has you make your way up an office building, destroying everything in your path. First, irate co-workers wield swivel chairs. Then, security join the fray. Then some sort of G-men get involved. You can punch, block, jump, and air-kick. The brawling is simple but satisfying enough, and the way office equipment violently degrades when hit is better, but this isn’t why I’m recommending the game.

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What I like about browser games is that clicking on a word in this mundane piece of software could take you anywhere, to anything. For example, if you click on this link to the domain corru.observer, you'll find yourself in a dark room before a strange glowing device. Apparently it's your job to do... something with it? So begins one of the most surprising and delightful games I've played all year, a sprawling, shape-shifting sci-fi story which is still unfolding through updates. I didn't even know all this was possible with HTML and CSS.

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I don't remember much about my grandfathers anymore, only that they were once there and they loved me, and now they are gone. So if I were a small child with quarreling parents and I stumbled across a hidden abandoned lab housing a horrifying shapeshifting psychic lifeform, perhaps I would also try to want this maybe-a-demon to be my grandpa. That's the premise of Growing My Grandpa!, a delightful little indie horror game about feeding, teaching, and caring for "a grandpa-like entity". It came out in 2022 and I kept forgetting to post about it, but it's still great so I'm telling you now, okay.

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Neverlooted Dungeon is an rpg game in which you can shoot a crossbow from a first person perspective. This, I imagine, was the pitch it used when trying to blag its way past the thermodynamically powered golem wearing a Daikatana t-shirt that guards the gates of Steam’s currently-running FPS fest. Whatever the excuse, this silver tongued rascal succeeded, and is now nestled comfortably between umpteen boomer shooter revivals, trying to squeeze Ultima factoids into the conversation.

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FACEMINER is a clicker/puzzle game where you work from your CRT monitor to analyse packets of facial surveillance data for a mysterious company. It describes itself as a ‘hardcore thriller clicker set in 1999’. As a connoisseur of unusual word combinations - as well as a believer in the satirical power of clicker games since playing Universal Paperclips - I immediately set about downloading the free Steam demo.

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Set in 1975 on an oil rig in the Scottish North Sea, horror game Still Wakes The Deep is less about supernatural events, and more about the people who experience them. Here, that’s Scottish electrician Caz McLeary and the crew of the Beira D rig. In bringing the rig to life, The Chinese Room turned to archival footage, oil and gas legislation, blueprints, and photographs. For lead designer Rob McLachlan, though, it was conversations with former platform workers that painted the clearest picture of what life on the rigs was really like.

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It's not every day you get to use both the 'sports' and 'horror' tags for the same game. Pool of Madness, an upcoming eldritch pool game where your surroundings get more bizarre and maddening the longer you play, is the latest game to crowbar Lovecraft into a place where no Lovecraft existed previously. It’s also the latest game to make me, someone who’s ostensibly had enough Lovecraft for one lifetime think: actually, yes, go on then.

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Every weekend, indie devs show off current work on Twitter's #screenshotsaturday tag. And every Monday, I bring you a selection of these snaps and clips. This week, my eye has been caught by the slow (yet speedy!) reload of a flintlock, feathered dinosaurs, parrying bullets, snowboard stunting, an underslung chainsaw, and heaps more. Check out these attractive and interesting indie games!

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Need anything from the shop? Mushroom milk? Fresh tarts? Mystical bejewelled skull? I'm just popping out to Dépanneur Nocturne, a lovely little game which came out in 2020 and I kept forgetting to post about. It's a small first-person explore-o-chatter set within a corner shop in a magical, mystical Montreal, full of things to admire, find, poke at, and chat about with the owner. And it'll only cost you about as much as a pint of semi-skimmed and loaf of Kingsmill from your own local shop.

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I tried to look up the plot of Bore Blasters, because my focus when playing the game is entirely on exploding dirt, but it turns out the Steam store page doesn't bother to explain any kind of plot either. Thus, the purity of Bore Blasters. Some facts can be divined from the earth, though: you play a dwarf, piloting a small ship akin to Robotnik's flying hedghog killer, and are dropped off on a small, discrete, gem-bearing chunk of dirt. This you pulverise, in a downward direction, with the aim of finding a huge chest of gems at the bottom somewhere. Your drill is the machine gun on your ship, your efforts governed by about two minutes worth of depleting fuel and a hull that can take three hits total. It's cyberpunk by Gimli.

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The legally distinct Cheerios in Tiny Tires, the upcoming miniature racing game that looks to be a loving homage to Micro Machines, have their own physics. This delights me. So does the milk, actually, leaving trails on the checked linoleum tablecloth as the infinitely minute driver tries to compensate for its skidding effect on those titular Tiny Tires. There’s pool balls, too! And floppy disk ramps! Floppy disks were probably still useful the last time anyone thought about Micro Machines, but now I’m reminded of it, I’m suddenly very excited again!

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Laysara: Summit Kingdom, a breathtakingly gorgeous city builder set in a fantasy world inspired by the Himalayan region, is out now in Steam early access. The meditative mountain environments are the sort of tranquil backdrop I’d happily stare out for hours, possibly with a Bonobo album and some incense, which is helpful, because the actual game is aiming to be quite a challenge.

According to its Steam page, the game “tasks you with creating a new home for your people forced out of the lowlands.” There are both campaign and sandbox modes, where you’ll establish multiple towns on multiple mountains, each with its own traits. “All your towns co-exist in symbiosis,” it continues, “creating a trading network, which you can then adjust to your needs by revisiting already developed settlements.” Here are some more deets, via Steam.

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Today is Tuesday, statistically the day of the week least rife with wacky hijinks, whimsical calamity, or even, dare I say, madcap antics. However, if you want to buck tradition, you could do worse than playing What the Car?, the upcoming absurdist physics game from What the Golf? and What the Bat? devs Triband. You can do it right now, actually. It’s just gotten a free demo on Steam, alongside a proper release date of September 5th 2024. Don’t do it if you’re actually driving, though. That’d be lunacy. We only promote the fun kind of lunacy here, like the type shown off in What the Car?’s trailer at the Triple-i initiative.

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Action roguelike UnderMine is getting a numbered sequel. That number is two. The follow-up to 2020’s action roguelike is UnderMine 2. It was announced today as part of the Triple-i Initiative, which is a silly name that I’m writing with the correct stylisation out of respect to UnderMine 2’s slimes.

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I've worked from home for most of the past decade, but it was during the pandemic lockdowns that I was finally indoctrinated into the world of co-working streams, pomodoro timers and lofi beats to chill/study to. I'm better now, but I absolutely see the appeal of Spirit City: Lofi Sessions, a "gamified focus tool" that just launched on Steam.

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Every weekend, indie devs show off current work on Twitter's #screenshotsaturday tag. And every Monday, I bring you a selection of these snaps and clips. This week, my eye has been caught by first-person stunt-o-shooting, retro-styled adventure games, an impressively unpleasant spider, and heaps more. Check out all these attractive and interesting indie games!

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I like close combat tactics, directing troop actions on a timeline, and breaching and clearing, but a recent revisit to Door Kickers revealed I no longer had the patience for its fiddly UI and grim scenarios.

No Plan B looks intriguing, then, for featuring all of the things mentioned above that I like, an unknown quantity of the things I don't, and for having released on Steam this week.

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Tropes aren't actually bad, right? Like, I'm not actually mad that a lot of games use 'the world is ending and you have to save it' as an inciting incident. When people complain about something being 'tropey' I think often what they're complaining about is that the work isn't putting any kind of interesting spin on the tropes. Great God Grove is a weirdo puzzle game where you have to stop the world from ending, and the only way you can communicate is by sucking up things people say to you and then firing them back out of your news cannon. It's coming to PC in 2024. Jolly good.

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"It almost feels like proof-of-concept for a first-person Prince of Persia game, with an ever-so-gentle dusting of Portal," our Edwin said after playing free first-person platformer Grimhook when it launched in December. It's a cracking little game, parkouring about with the help of supernatural powers and a grappling hook, but ends right as it feels like it's getting started. I'd certainly be up for three hours of this, so how splendid to hear that the developers are planning to make a "complete" and fancier experience.

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Hey, do you like going shoulder-to-shoulder with a pal to battle in same-screen local multiplayer games? Follow-up question: do you enjoy deceiving your pal while trying to uncover their own deceit? Last question: do you want to throw knives at your pal's face? If so, check out Neon Knives, a fun free same-screen game for two players where you must both try to blend into a crowd of NPCs while identifying and assassinating your mate.

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I like horror, I like bunnies, I like cool little games. Hey, y'here that, Rental? You're alright, kid. It's a free (free!) little game originally made for 2022's 32bit jam that takes about 20 minutes to play through, wherein you play a child rabbit who has arrived at a holiday cabin with her family. You're the first to head inside and, oop, the door locks behind you. Classic twist. A further twist is that, while Rental is entirely free to download and play, you can buy a supporter zine as DLC to kick some funds to the devs. Noice.

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Every weekend, indie devs show off current work on Twitter's #screenshotsaturday tag. And every Monday, I bring you a selection of these snaps and clips. Well, on Tuesday this week, thanks to the four-day Easter weekend. But the games look just as attractive and interesting as they did on Saturday, so what's the hurry? Check these out!

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Like an aggressively competitive thane at a reindeer-piss guzzling contest, 2D tac-and-slash roguelite Sons Of Valhalla never lets up the pace for even a moment. Whether you’re charging across its pixel-art battlefields slashing and burning increasingly tough-to-crack strongholds, or making quick decisions to get the upper hand in its tug-of-war tactics, the only times Thorald is not doing cool violence, commanding others to do cool violence, or upgrading his camps so that he may act in cooler and more violent ways, is when he’s restoring stamina with a cool slug of mead or violently gnawing at health-boosting meat.

Viking Thorald Olavson is a man possessed. A rival Jarl burnt his village and nicked his wife Raya. In his quest to find her, he’s prepared to do anything - even visit England. As Thorald, you’ll butcher your way up a chain of command in your search for Raya across six stages, each of which sits somewhere between the side-scrolling tactics of Kingdom Two Crowns, the lane strategy of a Warpips, and the slashy/blocky/shooty/dodgy of any 2D ARPG you care to name.

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You know me and Soulslikes. We're not particularly best buddies most of the time. We've had a couple of successful outings over the years with the likes of Death's Door and Hollow Knight and company, but anything with pure FromSoft blood running through its veins has always left me cold. Void Sols, however, is an upcoming Soulslike that feels like it might be able to satisfy both sides of the 'git gud' camp, appealing to nervous dodge-rollers like myself while also giving hardened Elden Ringers a run for their money. It's all down to its plentiful supply of approachable customisation options, allowing you to ratchet up the difficulty if you're finding things a bit easy, or knock it down, reapply your stat points, and even create whole new loadouts - each with their own individual stat combinations - to win the day. It's all wonderfully considerate, and having played the free demo that's just launched on Steam, I'd strongly recommend giving it a go if you're feeling in need of a little training ahead of Elden Ring: Shadow Of The Erdtree coming out.

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I approve of the recent trend towards making building games as relaxing as possible (e.g. Summerhouse). Today sees the release of a new one on Steam, this one a teeny medieval city builder called Le Château that gives you strict limitations for building a castle. You can have a go of the demo for free - I like it a bunch.

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Every weekend, indie devs show off current work on Twitter's #screenshotsaturday tag. And every Monday, I bring you a selection of these snaps and clips. This week, my eye has been caught by the feature every single video game on this green Earth should have (a grappling hook), along with waterparks, a plant knight, a chunky shotgun, a kitbashed hovercarrier, and heaps more. Check out all these attractive and interesting indie games!

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Before a month of my life vanished into customising cards and rigging decks in Balatro, my desire to conquer dungeons by fixing gambling tools came from playing Slice & Dice. First released in 2020, it's a gauntlet of fantasy turn-based battles where most attacks, abilities, buffs, debuffs, and items are very cleverly handled by mapping them onto the faces of dice. Oh, you're going to make your dice so much better! Now Slice & Dice has finally arrived on Steam in search of a wider audience, accompanied by an update adding oodles of new heroes, enemies, items, and more. For newcomers, hey, it has a demo.

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